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Tales From Burma
-by-
Richard K.  Diran
"Magic Man"
It is not that the mountains of Burma are more pointed than
mountains elsewhere.  If you were to look closely, you could see that
nearly every one of them is crowned with a pagoda spire rising ever
upwards.
To the south of Mt. Popa, an eroded volcanic throat of  prehistoric
lava rises up 1,500 feet from the side of the main mountain.
Pagodas have been built on the top of this throat to honor the "Nats"
or spirits which are said to reside there.  Although it is a steep climb
up the stairs to the top, pilgrims of all ages can be seen huffing and
puffing their way up.  There are many groups of monkeys who have
staked out their own areas along the path.
I had gone back to Burma specifically to fill an order for a very fine
cut ruby which was being held for me.  I also wanted to go back up
to Pagan, the ancient capitol of Burma which is only about an hour
drive from Mt. Popa.  Pagan has been renown for centuries for its
lacquer ware, and one of my old friends, Maung Maung, has a small
factory which produces some very fine examples.  Maung Maung had
just been released from prison after spending 2 years and 18 days
behind bars for selling some very minor antique votive tablets made
of clay to a tourist who had turned him in at the airport. 
Maung Maung still had that thick curling mustache but his head had
been shaven nearly bare.  He explained  to me that he had begun a
new life as a new man due to the influence of a magic man who lived
on a mountain top near Mt. Popa.  Maung Maung asked me if I would
like to go visit this magic man who was a believer of Bo Min Hkang,
the famous alchemist who, it is said, decided to burst into flames in
front of many witnesses and completely disappear.  There is a statue
of Bo Min Hkang at the Shwe Dagon Pagoda in Rangoon as he was
last seen nearly 50 years ago with one leg crossed over the other,
bending forward with his long hair flowing.  As he was a heavy
smoker, devotees are constantly putting lit cigarettes into the mouth
of his statue.
The road from Pagan wound around the base of Mt. Popa and ended
abruptly at the base of another small mountain.  Maung Maung and I
walked the goat trail up the hills and came to the summit in less
than one hour.  Removing our shoes outside, we stepped into a room
with about twenty people seated on the floor.  This magic man
apparently has the power of white magic  to dispel black magic and
purify the human soul. It is said that he attained his powers
meditating under a particular tree and is in contact with the unseen
world of spirits.
I didn't believe any of it.
The magic man has a wispy beard, unusual for a Burmese, and is
unable to speak properly as he has an interpreter.  I sat no more
than three feet from him.  He stood up at the open window looking
outwards toward the sky and I was directly behind him.  He put his
arm out as if to catch a fly ball with his palm facing outwards and
open as his hand circled the air. Out of the blue something flew into
his hand.  It came in an arc from the sky and was not tossed from
below.  He sat down and had me examine the gold colored circular
disk with symbols raised up on the surface.  He took it back from me
and blew into his hands twice.  As he opened them, I could see that
the disk had changed into a small vase shape with a hole in the top.
I returned it to him again and he rubbed it on his wrist turning the
gold color into silver.  Next, he took it in his hands and plunged his
finger through the metal forming a ring which he slipped on my finger
with a perfect fit.  He said that wearing that ring would protect me
from danger.  I am wearing that ring now.
Next, he picked up my black Ray Ban sunglasses from the table and
broke them in tow with a loud snap.  Maung Maung laughed as my
face fell.  The magic man put both pieces into his hands and blew
into them.  My Ray Bans were restored.  Was it real or an illusion?
Was this magic man blessed with some supernatural power or was he
just another charlatan? 
Two days after I returned to Bangkok, my Ray Bans broke into two
pieces.  It will be interesting when I return to Burma to find if he can
again cement my shades together with the power of his mind.

Copyright © 1997, 1998, 1999, 2000, 2001, 2002,  2003, 2004, and 2005  by Kurt T. Francis, except as  noted otherwise.  Materials by Christopher G. Moore, Dean Barrett, Richard K. Diran, Sonia Pressman Fuentes, and Hardy Stockmann are copyrighted © by those respective authors.  All rights reserved.  Please see the Copyright Notice for further information.

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